In 2014, Koshi no Kanbai launched Sai, its first new sake in forty years, positioned as a light, crisp, and smooth sake appealing to younger drinkers. The same year, I was asked to produce its brand design. What struck me from the onset was Koshi no Kanbai’s classic and iconic visual signature. The label featured a traditional design with blossoming plum trees framing a decorative cartouche that commanded authority, authenticity, and Japaneseness.
I was very fortunate to spend time in Niigata with the current chairman, Tatsunori Ishimoto, and his predecessor, who has since passed away. They shared their profound respect for the land and acute awareness of their responsibilities as sake brewers within the community. The late chairman emphasized “leaving what we can.” What I took away was their deep sense of gratitude to nature for the clean water and rice that provided their livelihoods. Making sake, to them, was a privilege, and what resulted was a gift to be shared with the community.
In 2014, Koshi no Kanbai launched Sai, its first new sake in forty years, positioned as a light, crisp, and smooth sake appealing to younger drinkers. The same year, I was asked to produce its brand design. What struck me from the onset was Koshi no Kanbai’s classic and iconic visual signature. The label featured a traditional design with blossoming plum trees framing a decorative cartouche that commanded authority, authenticity, and Japaneseness.
I was very fortunate to spend time in Niigata with the current chairman, Tatsunori Ishimoto, and his predecessor, who has since passed away. They shared their profound respect for the land and acute awareness of their responsibilities as sake brewers within the community. The late chairman emphasized “leaving what we can.” What I took away was their deep sense of gratitude to nature for the clean water and rice that provided their livelihoods. Making sake, to them, was a privilege, and what resulted was a gift to be shared with the community.